Dhir Gue tashi gha khil tour and travel
welcome to last Shangri-la
welcome to last Shangri-la
Tshechu is a religious festival meaning “tenth day” held annually in various temples, monasteries and dzongs throughout the country.
The Tshechu is a religious event celebrated on tenth day of a month of the lunar calendar corresponding to the birthday of Guru Rimpoche (Guru Padmasambhava). However the exact month of the Tshechu varies from place to place and temple to temple.
Tshechus are grand events where entire communities come together to witness religious mask dances, receive blessings and socialize. . In addition to the mask dances tshechus also include colorful Bhutanese dances and other forms of entertainment.
It is believed that everyone must attend a Tshechu and witness the mask dances at least once to in order to receive blessings and wash away their sins. Every mask dance performed during a Tshechu has a special meaning or a story behind it and many are based on stories and incidents from as long ago as the 8th century, during the life of Guru Padmasambhava. In monasteries the mask dances are performed by monks and in remote villages they are performed jointly by monks and village men.
Two of the most popular Tshechus in the country are the Paro and Thimphu Tshechus in terms of participation and audience. Besides the locals many tourists from across the world are attracted to these unique, colorful and exciting displays of traditional culture.
The focal point of the tshechus are Cham dances. These costumed, masked dances typically are moral vignettes, or based on incidents from the life of the 9th century Nyingma teacher Padmasambhava and other saints.[1] Typically, monks perform unmasked in certain group dances, including the Black Hat dance, while laymen perform masked, in largely different plays. The monks are generally very precise in their movement, while some roles played by laymen involve considerable athleticism (such as the leaping dog shown below, who repeats this move over and over again). Groups of women perform songs, with limited dance movements, in between the plays.
Most tshechus also feature the unfurling of a thongdrel - a large appliqué thangka typically depicting a seated Padmasambhava surrounded by holy beings, the mere viewing of which is said to cleanse the viewer of sin. The thongdrel is raised before dawn and rolled down by morning.
Because tshechus depend on the availability of masked dancers, registered dancers are subject to fine if they refuse to perform during festivals.
THIMPHU TSHECHU (FROM 26TH TO 28TH SEPTEMBER 2020)
One of the biggest festivals in the Bhutan is the Thimphu Tshechu. This festival is held in the capital city for three days beginning on 10th day of the 8th month of lunar calendar. The Thimphu Tsechu was established by the 4th Temporal Ruler, Tenzing Rabgye (1638-1696) in 1670 on the 8th month of Bhutanese calendar to commemorate the birth of Guru Rinpoche. It is held on the courtyard of the Tashichhodzong and is considered one of the most beautiful Tshechus in western Bhutan. This Tshechu is witnessed by thousands of people many of which travel from neighboring Dzongkhags (districts) to attend the festivities. The actual Tshechu is preceded by days and nights of prayer and rituals to invoke the gods. The Tsechu is a religious festival and by attending it, it is believed one gains merits. It is also a yearly social gathering where the people gather to rejoice, dressed in finery. In order that Bhutan can rejoice in continued happiness, many learned lamas established the tradition of these dances. The deities of the Tantric teaching are invoked during these dances. Through their power and benediction, all misfortunes are annihilated, and peace and happiness reign. When it was initiated by the 4th Desi, Gyalse Tenzin Rabgay in 1867 the Tshechu consisted of only a few dances being performed strictly by monks. These were the Zhana chham and the Zhana Nga chham (Dances of the 21 Black Hats), Durdag (Dance of the Lords of the Cremation Ground), and the Tungam chham (Dance of the Terrifying Deities). The Thimphu Tshechu underwent a change in the 1950s, when the third King Jigme Dorji Wangchuck, introduced numerous Boed chhams (mask dances performed by lay monks). These additions added colour and variation to the festival without compromising its spiritual significance. Mask dances like the Guru Tshengye (Eight Manifestations of Guru), Shaw Shachi (Dance of the Stags) are enjoyed because they are similar to stage-theater. Equally important are the Atsaras, who are more than just mere clowns. The Atsaras are the dupthobs (acharyas), who provide protection. The dances and the jesting of the Atsaras are believed to entrance evil forces and prevent them from causing harm during Tshechus. Modern Atsaras also perform short skits to disseminate health and social awareness messages. To farmers, the Tshechu is also seen as a break from farm life. It’s an occasion to celebrate, receive blessings and pray for health and happiness.
Punakha Dromche take place in the first month of the lunar year in the ancient capital of Bhutan. The religious dances performed during festival are called Cham and there are a large number of them. The dancers wear spectacular costumes made of yellow silk or rich brocade, often decorated with ornaments of carved bone. The Punakha Thogdroel huge painted scroll is unveiled in its festival with its imposing 83 ft by 93 ft figure.
The masks worn by the dancers represent animals, fearsome deities, skulls or just simple human beings. See them dance in beat and rhythm while categorized in three distinctive groups- Instructive or Didactic Dances, Dances that purify and protect a place from demonic spirits and Dances that proclaim the victory of Buddhism. The festival comes to an end with Serda, a magnificent procession which re-enacts the 17th-century battle against a north Tibetan invasion.
